chicago is always legendary

what the fuck. jamming this late at night.

I remember when I was in France I told some guy I was from Chicago, and he asked me if I had ever been shot. No one asks me that anymore, what the hell.

this track is so serious

This is the sound Kraftwerk gripped for their reconstruction album, The Mix. The original version of this tune features some insane breakdowns, but also features a lot of really typically cheesy house stuff… as well as a couple of not so typically cheesy parts. This version is so deep though, no filler.

back from blogging vacation

I’ve had time to think about a lot of things. Like Memphis rap, I haven’t followed very much of it besides Three Six Mafia and DJ Paul, but it is kind of better than the Bay Area cloud rap shit I’ve been riding with. Similar drug vibes, but better rapping.

Big Ups to Space Age Hustle for looking out for the rare cuts.

skype imagined over a century ago

Via Paleofuture

only want to listen to this

Chanca Via Circuito’s remix is so simple and perfect.

l.a. blues

You Are Listening to Los Angeles

My new favorite website. Ambient synth music from soundcloud is juxtaposed with the LAPD police scanner. It’s like the seedy underbelly counterpart to sunny California new age optimism.

the shady bambino project

If you’re keeping up with your favorite blogs/tumblrs covering “cloud rap” like Space Age Hustle then you’ve undoubtedly already heard this excellent collaborative mixtape from Shady Blaze and Squadda B. Unfortunately, I suspect that’s an all too tiny segment of the population.

Shady’s rapping is a welcome change of pace (literally, if you make it about halfway through the tape) from the recent solo Squadda offerings available. Meanwhile Squadda’s production is top notch as usual, but he really ups the ante with the most massive dubby bass I’ve heard from an American musician in a longtime. I had to crank down the EQ when I played this on my stereo to avoid blowing out the speakers.

What really stands out here is the similar sort of promise that dubstep offered before everyone in the U.K. got bored and started doing “funky” — creating emotionally deep music coming from a post-rave experience. Squadda’s production features all sorts of odes and nods to rave music, like the pitch-shifted, looped vocals, the stabby synth riffs, and the general feel of music that is very much fueled by ecstasy (which also had a huge impact on shoegazer, another sort of critical aesthetic point of reference). It’s hardly surprising you would see these sorts of shared cultural experience come out of Bay Area rap; when it seemed like hyphy might break out into the mainstream one of the strategies pursued was to change songs about thizzing to songs about drinking beer, or whatever. It all ends up reaffirming that line by Jean Baudrillard in America about how anything that Europeans are capable of imagining is going to inevitably show up in California.

with blogging you have to write…

Kim Hou, a high school senior in San Francisco, said she quit blogging months ago, but acknowledged that she continued to post fashion photos on Tumblr. “It’s different from blogging because it’s easier to use,” she said. “With blogging you have to write, and this is just images. Some people write some phrases or some quotes, but that’s it.”

scratch acid bootleg

I’m too young to have seen Scratch Acid when they were an active band, but I did catch them at the Touch & Go 25th anniversary fest, and they were definitely the highlight for me (the Ex were great too). Terrific live band, as this document attests.

ii

It has been 6 years since the Psychic Paramount’s first proper album came out. Last year I really began to doubt this album would ever actually get made (so did the label owner), but now you can hear the proof on NPR, where you can listen to the entire album streamed. The article itself is kind of weird and not that helpful, but this interview helps make more sense of things (sort of).