the nation of ulysses must prevail

In high school when I heard the Nation of Ulysses’ crazy guitar feedback, horn riffs from the aggressive side of jazz, and the crazy recording style on Plays Pretty for Baby I was a changed man. I wanted to hear more like that. Of course, there is nothing else that sounds like that album. As a result, I ended up drifting away from listening to a lot of punk rock, and got more into things like free jazz, dub, and house music. In other words, a great development. This video footage is from 1992, so it was towards the end of the band’s life, and they were just a four piece.

mapping the geography of hyperreality

you take a boy and a girl…

Via Cinemasparagus

GODARD: The production went very smoothly. But afterward, you stumble into distribution, circulation, and it’s a whole other story. I wanted to distribute my film across the same amount of time that the production took — meaning across four years…

COHN-BENDIT: You put four years into this?

GODARD: Yes; I told them: it’s going to take four years to make it — actually, no, I didn’t tell them that. And I wanted to distribute it like this: you take a boy and a girl, or two or three small groups, you give them video copies, you drop them out of an airplane by parachute, they have a map of France, they don’t know where they’re going to land, and you let them sort things out, go into cafés, show it a few hundred times… Then you look at what’s happening — they get the lay of the land, they find out what people think about the film. In the second year, you show it in a few screening rooms at small festivals. Afterwards, you no longer need to release it — you’ll have recouped everything, especially since the producers have put in so little — 300,000 euros — but this will have taken four years. In lieu of that, it’s being distributed into a world for which it wasn’t produced…

FIN DES BLOGS

was the internet worth it?

Willy goes on a meditation via a Lil B track about how the internet is ruining us. In summary: the ability to look something up is replacing our will to actually know things. We simply rely on our ability to reference information. Personally I’m not so concerned. This is an ancient anxiety repackaged for the 21st century. In Plato’s Phaedrus dialogue, Socrates complains about writing. His complaint comes in the form of telling a myth the Egyptians had about how writing was introduced by the god Theuth to a Pharaoh. The god tells the Pharaoh that this gift will increase the knowledge of his kingdom. The Pharaoh rejects this gift however, explaining that people will begin to forget what they have learned, that because the written word belongs to a dead author, the person reading will not be able to reason and debate with the person who has left the words. The consequence of this is that people will appear to know things, but in fact it will be empty wisdom.

Like all of Plato’s dialogues however, there is an irony here. Two, in fact. For one, Plato was no doubt aware of the irony that he was transmitting this dialogue by way of writing. Furthermore, Socrates rebuttal to writing comes in the form of telling a myth, that is, the story of a dead man, rather than by his typical dialectic method. He thereby mimics the form and structure of writing that he is critiquing.

That being said, there probably are some real losses involved in all of this. We are losing oral histories all the time. Wikipedia, rather than being some sort of triumph of human knowledge, is more like a collective bet about what any given topic is about. The ability to locate amazing music is easier than ever, but the activity of playing music, and forming communities around that activity, isn’t necessarily better off because of it.

Still, I’d say on balance things are pretty good.

viva colombia

I caught this video on DJ Orion’s blog, and it is a totally sick party jam. Part of a documentary called “Colombian Gold”. Indeed.

annoyances

I am very annoyed that I can’t seem to find the Bruce Conner video for this song. Anyway, the David Byrne & Brian Eno album this song comes from is sort of the prototype for “nu-whirled” music even though it wouldn’t really be correct to say that it influenced these new practices. Another way to think about this is as the pinnacle of white funk. Strange times.

the primitives

The Primitives – The Ostrich

Before Lou Reed was in the Velvet Underground he was a hack songwriter at Pickwick Records. John Cale & Tony Conrad were shocked to discover that Reed got his guitar sound by tuning all the strings to the same note, a technique they felt created a drone sound similar to what they were doing with La Monte Young. Pretty crazy stuff for a throwaway pop song.

Nas & Damian Marley

Brilliant sample of a classic Ethiopian jam on this one.

Via Ghetto Bassquake

amnesia..

To my Bay Area readers: tomorrow night I will be throwing down some dub & dancehall on the decks at Amensia (853 Valencia St., off of 20th). Mi Ami will be performing. Their integration of dubby basslines, Ash Ra Tempel-like guitar wizardry, and punk intensity is fully endorsed by this blog. Check it.

you have to be somewhere

So this dude’s mixtape has been blowing up on youtube & twitter this month. It’s blunted, and I’m into it. Wikipedia informs me that Wiz Khalifa is based out of Pittsburgh, which once upon a time would have been a crazy place to have a music career, but you have to be somewhere, and now thanks to the internet it doesn’t really matter.