Posts Tagged ‘bay area’

streetwalker live in san francisco

Streetwalker from Chicago played a couple of shows in the Bay Area this summer. Didn’t see huge crowds for the SF show which was too bad because they did stuff like this:

Big space with white walls on 16th St. with a weird vibe because it was half live dance music/half performance art with a schedule that switched between one and the other rather than have performance art the first half, dancing the 2nd. So that meant that you would get into ravey dance zones with lasers for an hour only to get pulled back into some bleak reality where you have to suddenly get very quiet because something very serious/weird needs to be watched. I shouldn’t even knock the performance art stuff really, it isn’t my thing, but it wasn’t bad by any means, but the presentation was fucked up.

main attraktionz – swaggin hard

Hella zen beat

the shady bambino project

If you’re keeping up with your favorite blogs/tumblrs covering “cloud rap” like Space Age Hustle then you’ve undoubtedly already heard this excellent collaborative mixtape from Shady Blaze and Squadda B. Unfortunately, I suspect that’s an all too tiny segment of the population.

Shady’s rapping is a welcome change of pace (literally, if you make it about halfway through the tape) from the recent solo Squadda offerings available. Meanwhile Squadda’s production is top notch as usual, but he really ups the ante with the most massive dubby bass I’ve heard from an American musician in a longtime. I had to crank down the EQ when I played this on my stereo to avoid blowing out the speakers.

What really stands out here is the similar sort of promise that dubstep offered before everyone in the U.K. got bored and started doing “funky” — creating emotionally deep music coming from a post-rave experience. Squadda’s production features all sorts of odes and nods to rave music, like the pitch-shifted, looped vocals, the stabby synth riffs, and the general feel of music that is very much fueled by ecstasy (which also had a huge impact on shoegazer, another sort of critical aesthetic point of reference). It’s hardly surprising you would see these sorts of shared cultural experience come out of Bay Area rap; when it seemed like hyphy might break out into the mainstream one of the strategies pursued was to change songs about thizzing to songs about drinking beer, or whatever. It all ends up reaffirming that line by Jean Baudrillard in America about how anything that Europeans are capable of imagining is going to inevitably show up in California.

young l – conscious minds

So just set aside, for the moment, the rapping (over at Space Age Hustle there is contemplation of putting Jay Electronica on top of this, sounds like a great idea to me), and concentrate on that beat. Digital dub vibes aplenty. Appreciated. Also the chain in the video with the Boo ghost from Super Mario.

ellen degeneres swag

I needed to hear this

tormenta tropical

It’s been awhile since I’ve gone to the Tormenta Tropical night at Elbo Room, but this upcoming one promises to be great. El Hijo De La Cumbia is one of the greats!

lil’ b in the guardian

The news here this week is that Willy over at Nation of Thizzlam wrote a piece about Lil’ B that the Guardian, the local alt. weekly in SF, ran with as the front page story.

This, of course, is another piece of evidence that Lil’ B is transforming internet success into real success, and it is pretty much the only working model in the music business game right now. Of course, we’re still in the process of figuring out what all that entails, but this is a great sign for people that are just interested in getting their music out there, and aren’t as interested in the usual path to success of touring relentlessly, releasing an album to critical acclaim and getting “noticed”, and then signing some terrible contract that leads to a multitude of problems. Instead, what we’re seeing here is that this old music industry model actually stunts growth, and generally makes it difficult to transform a music consumer into a diehard fan. Which is not to say that Lil’ B’s success is going to reinvent the music industry, he is still in the early phases of getting noticed by a wider audience, so it is too early to say what will happen from here, and also old habits die hard. However we can expect that this will be a path pointing the way to other young ambitious people trying to make a name for themselves with their music.

There is also a lot to think about how success for Lil’ B would change all sorts of ideas we have about rap, but I’m still trying to collect my thoughts on that one, so it will have to wait for another blog post.

body swap

In 2010 I started playing in a band called Body Swap. It doesn’t fit in with very much music I post about on this blog since my listening habits exceed my own abilities at performing music. However for those of you that live in the Bay Area that enjoy blown out sounding rock music, you can check us out in San Francisco this Wednesday at the Knockout (3223 Mission St.) around 10 o’clock-ish. I’m none too clear on the details, but we are possibly playing with Jason Urick, with Sex Worker (Daniel from Mi Ami), and Psychic Reality. Or maybe not.

Body Swap – Street Beverage Demo

There will be another show in September, also at the Knockout most likely. More details as they come.

amnesia..

To my Bay Area readers: tomorrow night I will be throwing down some dub & dancehall on the decks at Amensia (853 Valencia St., off of 20th). Mi Ami will be performing. Their integration of dubby basslines, Ash Ra Tempel-like guitar wizardry, and punk intensity is fully endorsed by this blog. Check it.

pour up

Via Nation of Thizzlam

Definitely click the link as Willy has some sharp observations about how this song succeeds in borrowing Southern rap elements and combining it with the local Bay Area aesthetic. As he says the great thing about the Bay Area is how its artists don’t take themselves too seriously, and this track is a great example of that.